“Aflutter” is about that state when everything inside goes still and soars at once. The stained glass holds its weight: dense courses of coloured cells, dark leading, a strict arch across the top. Yet light passes straight through it, and the stone stops being an obstacle — it becomes the thing that reveals the light.
And with the light, something alive and weightless enters the space. Butterflies rise along the tall vertical format, from the dusky tiles below towards the glowing fan of the arch, carrying the eye upward. A work about anticipation, about the sweet unease that comes just before something good is about to happen.
