Home

Ludmila Gorbunova’s painting is born on the border between abstraction and the recognizable — where form has not yet settled, but a state can already be read. Here water and light are not a subject but a medium: a space of memory, transformation, and quiet inner support.

At the core of her practice lies a question — how inner harmony is reassembled when the old supports have gone and new ones must be built from the fragments. Not a return to what was, but a conscious reconstruction of meaning that keeps the memory of the cracks.

The works are created in oil and mixed media, in layers — from transparent glazes to dense impasto strokes. The line between the abstract and the recognizable stays deliberately fluid: what matters is to convey a state, not to describe an object